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The Carousel is the circle and its contents. It is the motion of spirit round and round, up and down, back and forth, side to side and so on. The Carousel is filled with gold in many ways. Carousel is Karusel is Karukar.The Karusel Is All Ways Golden
The earliest known form of the name for gold is Khetem (Khetmu, Khetam, Kheten, Khetnu, Khetan, Quedam, Khatam, Ketem, Eden, Heten, Keten or Kedam), which means the shut sealed thing most preciously preserved. This precious thing is the soul of life, the Karas, Karast, Karest, Christ, Kart, Khart, Star, mummy.
Kar is the place, the circle, the source.
“As” is the precious thing.
Some forms of the word gold and golden are garden, karden, karten, carton, cartoon, khartoom, kartem, kartam, jordan, jarden, kart, khart. Thus, gold means more than just the gold we think of today.
At a minimum, it is likely the color of gold includes all the colors of the rainbow including black and white. Thus the word “gold” is not limited to one color. This is because gold describes the precious thing, spirit, soul and their transformations.
Kar-tek, the spark-holder, is a circle of source, a kart, a kar, a cocoon, a womb where the precious thing is preserved and must go through the karrekh correction process of tying, bonding, binding, limiting, fixing and connecting. (BB), (NG2), (NG1)
The precious thing is kharrekh-ed (Karr’d, Karred, charred, Rekh-ed) purified and refined.
Karrekh and Rekh is the refinery or fiery furnace in the earth in the waters of the mine at the corner.
Khet means to cut, to stamp, seal, reverse, overcome.
Khet implies an earlier Khept, the lower, the lower heaven, the back, the hinder part, the north, the place of emanation, the womb, the source, the birthplace.
Tam is gold and the scepter sign of rule.
Khetam means to be shut, sealed, a lock, a fortress.
Ba is the mine. Tum is the metal, whether tin or gold, or both. Tum is the Kar (Sol) and the Tam (gold) at the same time, thus tum is both the place gold is found and the gold that is found.
Tumba is the hill of the setting sun and the tin or gold mine.
Tum is also the setting sun in the west. Tum is god of the Ba (Bau), the underworld void mine where gold is located. This is why Vulcan (Ptah) is the goldsmith of the gods (elemental souls of life). Thus Ptah is the god of the bar-kano (volcano, possibly pur-kano, paf-er-kano, pyr-kano and vul-kennu). Ptah is the fashioner fabricator maker under the names of many types of skilled craftsmen. (BB)
Fire Gold
The earliest gold of mythology is fire. Thus not only is fire considered gold, but also gold is that which is a product of fire. This quickly makes the color of gold, red, yellow, orange, blue. This also makes whatever comes out of Kar, the furnace, gold. This means all of the elementals and all they create. That's everything in every color.
Thus gold is not limited to that which is yellow or gold in color, but rather gold is that which is either pure or impure (containing more than one element). This can be any substance, especially spirit-soul.
In the lower half of the circle, the sun is golden in darkness blackness.
In the upper half of the circle, the sun is golden in lightness whiteness.
Thus the term “Golden Age” is likely being misused if we only apply it to part of the circle cycle rather than to the entire circle cycle. This is because gold and golden are not unique to a specific formulation of space or unique to a specific portion of time. Elementals are continuously forming forms of gold in every Age, even during night, winter, dark ages and suboptimal times. (AE1)
Fire was the flaming Yellow Lion or the Golden Bird that soared aloft fearlessly in the flames of the Sun. (NG1)
The fullest African name for fire and sun exists in the Maori word KAPURA, for fire.
This modifies into Afr, meaning gold and fire.
The first gold sought was iron pyrites, which, when struck against the flint, yielded the precious element of fire. Iron pyrites later became known as crow-gold, inferior. Crow is the same as Karu, the lower of two.
Aur (Welsh) is gold. Aur is Ore (English). This implies that the first ore known in Wales was auriferous (contained gold).
The word Aur is not derived from Aurum (Latin), but both are from Afr (Aur) meaning fire, to burn, smelt, and the ore.
Gold As A Color
The Ser, rock, is the place where precious metals are found. “Ser” is determined by the Tam gold scepter.Ser is also a golden color like butter with the same Tam Scepter of gold for determinative. Ser signifies things of a golden hue. These two color references limiting gold to a specific color must be understood to apply to a specific period of time and use of symbols. This must be so based on what has been said thus far in this message and because Ser, without regards to color, represents the two truths, seed and spirit-soul.
The golden rod (reed) standing in the waters of butter represents the biune one. The reed is masculine, the butter is feminine. (NG1)
Khetam-Hut is golden corn. (BB)
The mother of Christ, like the other forms of the queen of heaven, had the color of the mater frugrum, the complexion of the golden corn (NG2)One meaning of anta is yellow or golden. Puanta is the land of gold in Amenta (Amanta).
The Golden One As The Sun
When the solar force of the sun was barely understood, the sinking sun was imaged by the beetle boring its way down through the earth, or by the tortoise that buried itself in the soil or by the crocodile making its passage through the waters, or by the Golden Hawk that soared up through the air. This is why these symbols were carried forward as more understanding was achieved. These symbols are accurate as metaphors of something submerging and emerging. (AE1)The frog was a symbol of transformation. The Frog-headed Ptah (Khem, Osiris) made his transformation in Amenta to rise again as the Sun. The frog and kaf-ape cynocephalus were imaged as Golden. Thus we find the Sun in the lower Earth as the Golden Frog (AE1)
In the Ritual, the speaker, as Osiris or the Manes (human soul), says, “My course is the course of the golden cynocephalus, in the temple of Ptah” The dog-headed ape as Ani the saluter was emblematic of the moon. This helps us understand the dog-headed ape of gold as an image of the moon in the waxing and waning halves of the lunation. (AE1)On a monthly basis, the three-part soul of Osiris is placed in the black and white moon
and resurrected as the golden hawk in the golden crescent-shaped ark of the new moon.
The ibis (hebi) not only represents and announces the dual lunation of the moon, but also plural time or the twin manifestation of Time, Thus the heron in the hollow announced the coming of the two Great Ages, one 19 years from fullness, the other 30 years from fullness. (AE1)
White and black of the moon were equated by the blue heaven and red sun and by spirit (blue) and flesh (red).
Earth was imaged as a Goose that rested on the Nun or the Waters of Space. This was the ancient Mother Goose, the Great Cackler, who every morning laid her Golden Egg, the Sun. (AE1) Earth's rotation causes the laying and incubation that hatches this egg daily. Earth's revolution lays, incubates and hatches this egg annually. The Solar System's revolution lays, incubates and hatches this egg every 12,960 years. Thus:
1. The goose that laid the golden egg. The goose is Mother Earth as Ursa Major and the egg is the sun and its soul of life.
2. A golden harp is Lyra Constellation that accompanies the birth of the egg and soothes the savage beasts in the underworld.
3. A bag of gold. Bag is womb of Mother Earth and of Ursa Major and/or Nut. The gold are the elements of earth, elemental souls of life and the stars.
4. The beanstalk is the sycamore tree of Hathor the Great Mother.
5. The Giant is Apap.
6. Jack is both the Black Jack is elder Horus who transforms into his twin and pubescent self as Golden Boy Jack, the young Horus and hero who literally “saves the day” with the might of his light that overpowers darkness.
Dawn is a festival of the rising sun. This Triumph of Return is expressed by “Heb.” Heb is the Festival, the triumph, the return and fountain of source. This is why birds talk, cheer and sing at dawn. They are trumping and trumpeting the Triumph. Trump is part of Triumph. The Egyptian priest is the “KARHEB,” (kar-heb) the Reciter of the Festivals,
The double-seated boat is a symbol of Sut-Heb festivals, held every thirty years.
The double-seated boat is a form of the Neb (basket) sign, which indicates the whole, all, composed of two halves.
Heb comes from Kheb. The land of Heb must be inclusive of the Kep, thus lay below the second cataract [this must be the all the land before the second cataract after Kartoom including the Great Lakes region].
Gold Mother, Gold Calf
The Trinity by name and nature is shown under the Cow of Hes (Isis), the “Golden Calf.” (NG1) This is the golden Hathor, a form of Mother Earth, mistress of the mines, precious stones, metals and gold. (AE1)The golden calf in Israel had been the gold gilded heifer in Egypt (Hes, Isis, Hathor). This golden calf was simultaneously worshiped while the Israelites were in Egypt and while the rest of the Israelites were not. In the context of the JC bible, the golden calf was not just some momentary fluke in the desert. It was a normal accepted symbol of their religion for hundreds, if not thousands of years.
The golden calf was a figure of both sexes (mother and son) and pre-eminently sacred to the divine mother, Neith, Hathor, Hes, Isis or Iusāas. (AE2) Great Mother Sekhet-Bast is higher than all the gods. She is called the lady of the scarlet-colored garment. Cassiopeia constellation (celestial Aethiopia),the birthplace, was the creatory and crematory meshken (meskhen) of the Great Mother Hathor-Nut. Cassiopeia is the place of bringing forth by the cow of heaven (Hathor-Nut), whose “thigh” (Cassiopeia Constellation) is the emblem of great magical power. Per the Book of Revelation, the Great Mother carries “a golden cup full of abominations, even the unclean things of her fornication”, This golden cup was symbolized by the water-vase, the urn of inundation in the sign of Krater Constellation. We are reminded that the gods of Nile Valley Mythology, thus of all religions, originated in seven elemental forces that were born of the mother of life, mother-earth, and who were then continued in a variety of characters as the primordial seven powers and lastly represented in human form. It is this stage that has greatly confused and abused people who think their religion, and the characters in it, are primarily about humans. (AE2)The calf or heifer of gold was a befitting figure for the cult whose god was Ihuh or Huhi (the trinity of Iu the calf, Iusāas the cow, and Atum-Iu the bull). This is the Egyptian trinity that Aaron fashioned at Mount Sinai (Horeb). Later in 1 Kings 12:28, the father is shown to not be the primary representation. The mother was. Later interpreters made the golden calf a symbol of evil rather than of deliverance from enslavement in Egypt and deliverance to come from sin. The mother was hidden as the ark, the tabernacle, the sanctuary, the temple, the meskhen, the holy of holies. However the people kept returning to the duality of mother and son or the trinity with mother as primary. The Catholics continue this in their “Hail Marys.” Iusaas, the mother was also called Nub the golden and Neb-hetep (Nebethet), the lady of peace, and her son, Iu-em-hetep, was the prince who comes with peace. (AE2)
Ra, The Golden One As The Sun
in the original mythos, the throne was at the horizon as dawn. This was imaged as a great emerald sycamore tree, a lake of emerald, green fields, and other evergreen things upon the solar mount of glory. Ra, (the sun), is said to be encircled with emerald light on the solar mount. It is said, “thy body is of gold, thy head of azure, and emerald light encircleth thee”. The gods who are in the green light of dawn are also called “the emerald ones.” These colored lights blended with the golden rays of the sun and appeared in the green sycamore tree of dawn of Hathor-Nut. Thus then we see the colorfulness of the birth and resurrection of Ra now celebrated at Christmas and Easter, unbenownst to participants. (AE2) (AE1)
Covering the human corpse with golden gum was one way of turning the dead body into a type of the spiritual body like the golden sun which died, was purified, glorified and then allowed to rise again. (AE1)
Colorful Pairs
These color representations for the same natural phenomena show us how many of the colors are interchangeable as a general rule or changeable based on the set of conditions and orientation of the namers.
The double Sut, Har or Horus (Sut-Nub, Sut-Nubti, Sut-Horus or Sirius-Sothis and Canopus) are names for the sun of the west and east as a symbol for two phases of the ever-coming soul of life. The colors used were fire (red) and gold or soot and gold or gold and gold.These pairs conform to the primary duality of light and shade, upper crown and lower. Black and red permute in Egypt as the lower of two colors. Scientifically, all colors resolve into light and its negation dark. Light and dark were the two primaries, and in the sacred writings all other colors were affiliated to the parental pair. (NG1)
Sut is darkness as Neh the black vulture, crow, raven; while Horus is the white or gold hawk, eagle-hawk, dove of the solar-fire, calf. (NG1)
This double child represents the twin two-fold nature of the soul, including representing both genders.
Sut is Anup, thus Anubis is Horus.
Anubis is Anup as the opener and guide of the way through the underworld. The double Anubis was Sirius-Sothis or Mercury of both horizons or the Sun and Sirius or the Sun and Saturn. These colors were black and gold or gold and gold. (NG1)
The double Anubis as Mercury in the planetary phase was also called Sut-Anubis who passed into Taht or Hermanubis in the lunar stage. This double Anubis was also black and gold, same as Sut-Horus and Sut Nubti (NG1)
Under the jackal/dog type, Anubis is the black jackal of the western land, and golden or black dog of the east. (NG2)
The earliest type of Sirius, the Dog-star, was the giraffe (camelopard) of Inner Africa. This is the Ser by name. The giraffe can see two ways at once without turning its head or moving its eyes. The giraffe was a figure of Sut-Typhon (child as son; parent as mother). (NG1)
